Adventures of Huckleberry Finn (or, in more recent editions, The Adventures of Huckleberry Finn) is a novel by Mark Twain, first published in the United Kingdom in December 1884 and in the United States in February 1885. Commonly named among theGreat American Novels, the work is among the first in major American literature to be written throughout in vernacular English, characterized by local color regionalism. It is told in the first person by Huckleberry "Huck" Finn, a friend of Tom Sawyer and narrator of two other Twain novels (Tom Sawyer Abroad and Tom Sawyer, Detective). It is a direct sequel to The Adventures of Tom Sawyer.
The book is noted for its colorful description of people and places along the Mississippi River. Set in a Southern antebellum society that had ceased to exist about 20 years before the work was published, Adventures of Huckleberry Finn is an often scathing satireon entrenched attitudes, particularly racism.
Life of Pi is a Canadian fantasy adventure novel by Yann Martel published in 2001. The protagonist, Piscine Molitor "Pi" Patel, an Indian boy from Pondicherry, explores issues of spirituality and practicality from an early age. He survives 227 days after a shipwreckwhile stranded on a lifeboat in the Pacific Ocean with a Bengal tiger named Richard Parker.
The novel, which has sold more than ten million copies worldwide,[1] was rejected by at least five London publishing houses[2] before being accepted by Knopf Canada, which published it in September 2001. The UK edition won the Man Booker Prize for Fiction the following year.[3][4][5] It was also chosen for CBC Radio's Canada Reads 2003, where it was championed by author Nancy Lee.[6]The French translation, L'Histoire de Pi, was chosen in the French CBC version of the contest Le combat des livres, where it was championed by Louise Forestier.[7] The novel won the 2003 Boeke Prize, a South African novel award. In 2004, it won theAsian/Pacific American Award for Literature in Best Adult Fiction for years 2001–2003.[8] In 2012 it was adapted into a theatrical feature film directed by Ang Lee with a screenplay by David Magee.
Life of Pi: Theatrical Trailer
Stephen Crane (November 1, 1871 – June 5, 1900) was an American poet, novelist, and short story writer. Prolific throughout his short life, he wrote notable works in the Realist tradition as well as early examples of American Naturalism and Impressionism. He is recognized by modern critics as one of the most innovative writers of his generation.
The ninth surviving child of Protestant Methodist parents, Crane began writing at the age of four and had published several articles by the age of 16. Having little interest in university studies, he left college in 1891 to work as a reporter and writer. Crane's first novel was the 1893 Bowery tale Maggie: A Girl of the Streets, generally considered by critics to be the first work of American literary Naturalism. He won international acclaim in 1895 for his Civil War novel The Red Badge of Courage, which he wrote without having any battle experience.
Maggie: A Girl of the Streets is an 1893 novella by American author Stephen Crane (1871–1900). The story centers on Maggie, a young girl from the Bowery who is driven to unfortunate circumstances by poverty and solitude. The work was considered risqué by publishers because of its literary realism and strong themes. Crane – who was 22 years old at the time – financed the book's publication himself, although the original 1893 edition was printed under the pseudonym Johnston Smith. After the success of 1895's The Red Badge of Courage, Maggie was reissued in 1896 with considerable changes and re-writing. The story is followed by George's Mother.
William Sydney Porter (September 11, 1862 – June 5, 1910), known by his pen name O. Henry, was an American short story writer. O. Henry's short stories are known for their wit, wordplay, warm characterization, and surprise endings.
"The Gift of the Magi" is a short story, written by O. Henry (a pen name for William Sydney Porter), about a young married couple and how they deal with the challenge of buying secret Christmas gifts for each other with very little money. As a sentimental story with a moral lesson about gift-giving, it has been a popular one for adaptation, especially for presentation at Christmas time. The plot and its "twist ending" are well-known, and the ending is generally considered an example of comic irony. It was allegedly written atPete's Tavern[2][3] on Irving Place in New York City.
The story was initially published in The New York Sunday World under the title "Gifts of the Magi" on December 10, 1905. It was first published in book form in the O. Henry Anthology The Four Million in April 1906.
The Magi (/ˈmædʒaɪ/[1] or /ˈmeɪdʒaɪ/; Greek: μάγοι, magoi), also referred to as the (Three) Wise Men or (Three) Kings, were, in theGospel of Matthew and Christian tradition, a group of distinguished foreigners who visited Jesus after his birth, bearing gifts of gold,frankincense and myrrh. They are regular figures in traditional accounts of the nativity celebrations of Christmas and are an important part of Christian tradition.
According to Matthew, the only one of the four Canonical gospels to mention the Magi, they came "from the east" to worship the "king of the Jews".[2] Although the account does not mention the number of Magi, the three gifts has led to the widespread assumption that there were three men.[3] In Eastern Christianity, especially the Syriac churches, the Magi often number twelve.[4] Their identification as kings in later Christian writings is probably linked to Psalms 72:11, "May all kings fall down before him".
A Sunday Afternoon on the Island of La Grande Jatte
A Sunday Afternoon on the Island of La Grande Jatte – 1884 (French: Un dimanche après-midi à l'Île de la Grande Jatte – 1884) is one of Georges Seurat's most famous works, and is an example of pointillism.
The Son of Man (French: Le fils de l'homme) is a 1946 painting by the Belgian surrealist painter René Magritte.
Magritte painted it as a self-portrait. The painting consists of a man in an overcoat and a bowler hat standing in front of a low wall, beyond which is the sea and a cloudy sky. The man's face is largely obscured by a hovering green apple. However, the man's eyes can be seen peeking over the edge of the apple. Another subtle feature is that the man's left arm appears to bend backwards at the elbow.
About the painting, Magritte said:
At least it hides the face partly well, so you have the apparent face, the apple, hiding the visible but hidden, the face of the person. It's something that happens constantly. Everything we see hides another thing, we always want to see what is hidden by what we see. There is an interest in that which is hidden and which the visible does not show us. This interest can take the form of a quite intense feeling, a sort of conflict, one might say, between the visible that is hidden and the visible that is present.
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