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A chapel is a religious place of fellowship, prayer and worship that is attached to a larger, often nonreligious institution or that is considered an extension of a primary religious institution. It may be part of a larger structure or complex, such as a college,hospital, palace, prison, funeral home, church, synagogue or mosque[citation needed], located on board a military or commercial ship, or it may be an entirely free-standing building, sometimes with its own grounds.[1] Many military installations have chapels for the use of military personnel, normally under the leadership of a military chaplain.
"The Philosophy of Composition" is an 1846 essay written by American writer Edgar Allan Poe that elucidates a theory about how good writers write when they write well. He concludes that length, "unity of effect" and a logical method are important considerations for good writing. He also makes the assertion that "the death... of a beautiful woman" is "unquestionably the most poetical topic in the world". Poe uses the composition of his own poem "The Raven" as an example. The essay first appeared in the April 1846 issue of Graham's Magazine. It is uncertain if it is an authentic portrayal of Poe's own method.
"The Raven" is a narrative poem by American writer Edgar Allan Poe. First published in January 1845, the poem is often noted for its musicality, stylized language, and supernatural atmosphere. It tells of a talking raven's mysterious visit to a distraught lover, tracing the man's slow fall into madness. The lover, often identified as being a student,[1][2] is lamenting the loss of his love, Lenore. Sitting on a bust of Pallas, the raven seems to further instigate his distress with its constant repetition of the word "Nevermore". The poem makes use of a number of folk, mythological, religious, and classical references.
"Annabel Lee" is the last complete poem[1] composed by American author Edgar Allan Poe. Like many of Poe's poems, it explores the theme of the death of a beautiful woman.[2] The narrator, who fell in love with Annabel Lee when they were young, has a love for her so strong that even angels are envious. He retains his love for her even after her death. There has been debate over who, if anyone, was the inspiration for "Annabel Lee". Though many women have been suggested, Poe's wife Virginia Eliza Clemm Poe is one of the more credible candidates. Written in 1849, it was not published until shortly after Poe's death that same year.
Hades (/ˈheɪdiːz/; Ancient Greek: ᾍδης or Άͅδης, Háidēs) was the ancient Greek chthonic god of the underworld, which eventually took his name.[1]
In Greek mythology, Hades was regarded as the oldest son of Cronus and Rhea, although the last son regurgitated by his father.[n 1]He and his brothers Zeus and Poseidon defeated their father's generation of gods, the Titans, and claimed rulership over thecosmos. Hades received the underworld, Zeus the air, and Poseidon the sea, with the solid earth—long the province of Gaia—available to all three concurrently. Hades was often portrayed with his three-headed guard dog Cerberus and, in later mythological authors, associated with the Helm of Darkness and the bident.
Foreshadowing or guessing ahead is a literary device by which an author hints what is to come.[1] It is used to avoid disappointment. It is also sometimes used to arouse the reader.[2][3]
A hint that is designed to mislead the audience is referred to as a red herring. A similar device is the flashforward (also known as prolepsis). However, foreshadowing only hints at a possible outcome within the confinement of a narrative. A flashforward is a scene that takes the narrative forward in time from the current point of the story in literature, film, television, and other media.[4][5] Foreshadowing is sometimes employed through characters explicitly predicting the future.[6]
A metaphor is a figure of speech that identifies something as being the same as some unrelated thing for rhetorical effect, thus highlighting the similarities between the two. While a simile compares two items, a metaphor directly equates them, and does not use "like" or "as" as does a simile. One of the most commonly cited examples of a metaphor in English literature is the "All the world's a stage" monologue from As You Like It:
All the world's a stage,
And all the men and women merely players;
They have their exits and their entrances[...]
—William Shakespeare, As You Like It, 2/7
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