crape diem = seize the day
Carpe diem is a Latin aphorism, usually translated "seize the day", taken from the Roman poet Horace's Odes (23 BC).
Dead Poets Society is a 1989 American drama film written by Tom Schulman, directed by Peter Weir and starring Robin Williams. Set at the conservative and aristocratic Welton Academy in the northeast United Statesin 1959,[3] it tells the story of an English teacher who inspires his students through his teaching of poetry.
The film received critical acclaim and box office success; it was also BAFTA's best film and best foreign film in France and Italy. Schulman received an Academy Award for Best Original Screenplay for his work.
Dead Poets Society (1989) Original Trailer
The term "Western canon" denotes a body of books and, more broadly, music and art that have been traditionally accepted by Western scholars as the most important and influential in shaping Western culture. As such, it includes the "greatest works of artistic merit". Such a canon is important to the theory of educational perennialism and the development of "high culture". The idea of a Canon has been used to address the question What is Art?; according to this approach, a work is art by comparison to the works in the canon, or conversely, any aesthetic law to be valid should not rule out any of the works included in the canon.[1] The concept has become challenged by advocates of multiculturalism and critics who charge that it has been influenced by race, gender, and other biases.
Fantasy is a genre of fiction that commonly uses magic and other supernatural phenomena as a primary plot element, theme, or setting. Many works within the genre take place in imaginary worlds where magic and magical creatures are common. Fantasy is generally distinguished from the genres of science fiction and horror by the expectation that it steers clear of scientific and macabre themes, respectively, though there is a great deal of overlap between the three, all of which are subgenres of speculative fiction.
Earthsea is a series by Ursula K. Le Guin, starting with her short story "The Word of Unbinding," published in 1964. Earthsea became the setting for six books, beginning with A Wizard of Earthsea, first published in 1968, and continuing with The Tombs of Atuan, The Farthest Shore, Tehanu, Tales from Earthsea and The Other Wind. All are set in the world of Earthsea, as are seven short stories by Le Guin.
The Prodigal Son, also known as Two Sons, Lost Son, The Running Father and The Loving Father is one of the parables of Jesus. It appears in only one of the Canonical gospels of the New Testament. According to theGospel of Luke (Luke 15:11-32), a father gives his two sons his inheritance before he dies. The younger son, after wasting his fortune (the word 'prodigal' means 'wastefully extravagant'), goes hungry during a famine. He then returns home with the intention of begging to be employed and renouncing his kinship to his father. Regardless, the father finds him on the road and immediately welcomes him back as his son and holds a feast to celebrate his return. The older son refuses to participate, stating that in all the time he has worked for the father, he did not even receive a goat to celebrate with his friends. The father reminds the older son that everything the father has is the older son's (his inheritance) but that they should still celebrate the return of the younger son. It is the third and final part of a cycle on redemption, following the Parable of the Lost Sheep and the Parable of the Lost Coin.
A doubting Thomas is a skeptic who refuses to believe without direct personal experience—a reference to the Apostle Thomas, who refused to believe that the resurrected Jesus had appeared to the ten other apostles, until he could see and feel the wounds received by Jesus on the cross.
In art, the episode (formally called the Incredulity of Thomas) has been frequently depicted since at least the 5th century, with its depiction reflecting a range of theological interpretations.
Fable is a literary genre: a succinct fictional story, in prose or verse, that features animals, mythical creatures, plants, inanimate objects, or forces of nature that are anthropomorphized (given human qualities, such as verbal communication) and that illustrates or leads to an interpretation of a moral lesson (a "moral"), which may at the end be added explicitly as a pithy maxim.
A fable differs from a parable in that the latter excludes animals, plants, inanimate objects, and forces of nature as actors that assume speech or other powers of humankind.
Usage has not always been so clearly distinguished. In the King James Version of the New Testament, "μῦθος" ("mythos") was rendered by the translators as "fable"[1] in the First Epistle to Timothy, the Second Epistle to Timothy, the Epistle to Titus and the First Epistle of Peter.[2]
As a literary device, an allegory in its most general sense is an extended metaphor. Allegory has been used widely throughout the histories of all forms of art, largely because it readily illustrates complex ideas and concepts in ways that are comprehensible to its viewers, readers, or listeners.
A parable is a succinct, didactic story, in prose or verse, which illustrates one or more instructive lessons or principles. It differs from a fable in that fables employ animals, plants, inanimate objects, or forces of nature as characters, whereas parables have human characters[1]. A parable is a type of analogy.
The Faerie Queene is an incomplete English epic poem by Edmund Spenser. The first half was published in 1590, and a second installment was published in 1596. The Faerie Queene is notable for its form: it is one of the longest poems in the English language and the origin of a verse form that came to be known as Spenserian stanza.[1] It is an allegorical work, and can be read (as Spenser presumably intended) on several levels of allegory, including as praise of Queen Elizabeth I. In a completely allegorical context, the poem follows several knights in an examination of several virtues. In Spenser's "Letter of the Authors," he states that the entire epic poem is "cloudily enwrapped in allegorical devices," and that the aim of publishing The Faerie Queene was to “fashion a gentleman or noble person in virtuous and gentle discipline.”
A utopia (/juːˈtoʊpiə/ yoo-toh-pee-ə) is a community or society possessing highly desirable or near perfect qualities. The word was coined by Sir Thomas More in Greek for his 1516 book Utopia (in Latin), describing a fictional island society in the Atlantic Ocean. The term has been used to describe both intentional communities that attempt to create an ideal society, and imagined societies portrayed in fiction. It has spawned other concepts, most prominently dystopia.
In Greek mythology, Charon or Kharon (/ˈkɛərɒn/ or /ˈkɛərən/; Greek Χάρων) is the ferryman of Hades who carries souls of the newly deceased across the rivers Styx and Acheron that divided the world of the living from the world of the dead. A coin to pay Charon for passage, usually an obolus or danake, was sometimes placed in or on the mouth of a dead person.[1] Some authors say that those who could not pay the fee, or those whose bodies were left unburied, had to wander the shores for one hundred years. In the catabasis mytheme, heroes – such as Heracles, Orpheus, Aeneas, Theseus, Sisyphus, Dionysus, Odysseus and Psyche – journey to the underworld and return, still alive, conveyed by the boat of Charon.
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